Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts

Friday, March 02, 2012

Toto, I don’t think we’re in film school anymore…

Marcie Mayhorn
As a film school alum, no cinema question phases me in the slightest.  “What’s your favorite Billy Wilder film?”  SOME LIKE IT HOT.  “Who is your favorite foreign director?”  Easy – Pedro Almodovar. “What do you want to be when you grow up?”  Please – writer/director and probably a producer, especially if I want to have my own production company.

I can shoot off answers to questions like these all day long.  But sometimes, questions come along that require a little more thought.  One of the interns here at the office asked me one day what I’d like to do in the future.  Again, no hesitation whatsoever: “I’d like to write and direct my own films, and essentially own my own production company.”  I didn’t even stutter.  “Oh wow,” she replied, “well, what type of stories do you want to write?” “I –…” I paused.  The immediate answer didn’t come to me.  So many options ran through my head: good stories, of course, but not cheesy good, really feel-good stories, ones that make you feel your heart in your throat.  But not leave a theater sobbing…

What type of stories do I want to write?  I had to tell her I would get back to her because I didn’t honestly know.  Ever since she asked me, I have thought long and hard about this.  I finally realized I should examine a few of my favorite films for this answer.  The one that truly stuck out in my mind was THE WIZARD OF OZ.  Do I want to write a story about a rural girl who gets whacked in the head and dreams she’s in a magical land?  Not exactly.  So what is it about this film that makes it one of my favorites?

It was the first time I had really ever dissected a story, really got into the cracks to see what makes it so appealing to me.  And there, I discovered my answer: I used to watch this film all the time as a child.  I would sing all of the songs, and make believe that I, too, could travel somewhere magical.  I used this story as a basis for wanting to dream, for wanting to explore places that I could only imagine, and maybe even go there someday.  But like Dorothy, I remembered the importance of home and how much family means to me.  I vividly remember watching this film the night before I left for college and crying my eyes out, because I knew that my life was about to change.

And it hit me: those are the types of stories I want to write.  The ones that evoke memories, that trigger that deep feeling and emotion within us that only we know.  I want to write stories that make someone remember the importance of all the people in their life, and how taking a risk can be worthwhile.  I want to write stories that make someone realize that it is perfectly alright to be exactly the type of person that they are.

I’ll have to tell that intern that I finally know the answer to her question!  But for today, I also challenge you to answer the question of: what kind of stories do you want to tell?

-- Marcie Mayhorn, Austin Film Festival Office Manager

Wednesday, February 29, 2012

AFF at the Oscars

There were a lot of proud faces on television screens around the world Sunday night, as the Academy Awards presented their annual prizes to a few lucky filmmakers.  In fact, anyone who played a part in the triumph of an Oscar-winning film had reason to be proud, particularly those involved with the Best Picture winner, “The Artist.” Originally screened at Cannes, this little black-and-white silent French film that initially scared away distributors eventually charmed the world, taking home 5 Oscars by the end of the evening.

The thought of marketing a film like “The Artist” was naturally a concern for all involved, including festivals like AFF.  Even though most of us who programmed the film had seen it at Telluride or Toronto and knew how great it was, convincing everyone else of that fact was a different matter altogether.  Ultimately, we at AFF decided to screen “The Artist” at the Paramount Theatre, Austin’s beautiful classic movie palace, and the experience of seeing that particular film in that particular cinema was truly unparalleled. The film went on to win our Audience Award, and we couldn’t be prouder to have our trophy join the growing number of statues on this wonderful film’s shelf.

Nothing brings the staff of a film festival greater joy than seeing one of its programmed films going on to conquer the hearts and minds of moviegoers everywhere. We were also so pleased to see “The Fantastic Flying Books of Mr. Morris Lessmore,” which won both our Jury and our Audience Award for Best Animated Short, go on to win the Oscar in that category.  I can remember the day that my fellow film programmer, Stephen Belyeu, and I watched that film for the first time.  We both knew we had just seen something very special, and we were so honored to introduce it to our festival audience and the Austin moviegoing community at large.  Those are the moments that make this job so rewarding, and we can’t wait to do it all over again this October.  Here’s to another year at the movies!

Monday, February 27, 2012

What I Learned From the Oscars

Even with some last minute changes to the predictions I initially posted, I still ended up predicting only 17 out of 24 categories last night.  Not my best by any means but alas, there’s always next year when the Dark Knight Rises will sweep the 2013 Oscars (one can still dream I guess).  It’s funny how obvious the outcome seems now in retrospect.  In this age of blogging, anyone can be an Oscar expert but the only ones who truly know the outcome in advance is PricewaterhouseCoopers.  Nobody knows anything and the best method to playing this game is to not over think it.  So instead of moping over how bad I did this year, I’ll reflect on what I learned from watching the Oscars:
  1. I realized I was born the same year Meryl Streep won her last Oscar for Sophie’s Choice.  I can’t wait to see her win another 29 years later when she won’t need makeup to play Margaret Thatcher again in The Iron Lady 2.
  2.  The telecast was rather dull and I wonder what Eddie Murphy would have brought to the show if he had hosted.  Heck, Ellen DeGeneres’ JC Penney commercials were considerably funnier.
  3. I did not realize Twilight belonged in the pantheon of great movie moments.
  4. Comedic anecdotes from presenters are almost never funny unless you can speak Mandarin like Sandra Bullock, or your names are Will Ferrell and Mack Zalifigakas.  
  5. My thoughts from watching the In Memoriam montage: “All those people are dead???”
  6. I would like to play a drinking game with the Bridesmaids.  “Scorsese!”
  7. Viola Davis is gorgeous.  I’ll predict she’ll win an Oscar in the future or at least end up on Joan Rivers’ best dressed list.
  8. Never underestimate the power of Harvey Weinstein.  Three of his films won Oscars (The Artist, The Iron Lady, and Undefeated)
  9. The Academy really needs to reevaluate its voting process for Best Original Song.  Only two nominees this year?  And it was a crime The Muppets didn’t get to perform the winning song, “Man or Muppet”!
  10. Christopher Plummer is just two years younger than the Academy Awards?
  11. Billy Crystal can read minds.  I’m glad we all finally know what goes on in Marty Scorsese’s and Nick Nolte’s heads. AND...
  12. I need to stop obsessing over the Oscars and get back to writing my script!
 --Matt Dy, Screenplay & Teleplay Competition Director

Sunday, February 26, 2012

Live Blogging: The Oscars!

Taylor here, AFF Marketing Director. Welcome to the Austin Film Festival's live blogging of the 84th annual Academy Awards. Stick around for updates throughout the evening!


7:25pm CST 
5 minutes 'til show time! Is is just me or does one of the commentators look like a mini Steve Martin Scorsese?


7:32pm CST
Two minutes in and we start the show with a George-on-Billy liplock.


7:36pm CST
First film mentioned: Extremely Loud & Incredibly Close. Want a chance to own a signed script of the film? Get your Producers Badge before the end of February and you'll be entered to win one of two copies!


7:38pm CST
Bill Crystal's first musical number.


7:43pm CST
First award!
Best Cinematography: Robert Richardson - Hugo


7:45pm CST
Best Art Direction: Hugo


7:55pm CST
Best Costume Design: The Artist - Mark Bridges


7:56pm CST
Makeup: The Iron Lady


8:07pm CST
Foreign Language Film: A Separation


8:10pm CST
Best Actress In a Supporting Role: Octavia Spencer, The Help
So far, Matt Dy's been pretty on point with his predictions!


8:19pm CST
Christopher Guest's cast acts as focus group for Wizard of Oz! Hilarious!


8:22pm CST
Film Editing: The Girl With the Dragon Tattoo 

Now that signed script of GIRL we have is an OSCAR WINNING SCRIPT! Wanna a shot at winning it? Get your Producers Badge by Feb 29th.


8:26pm CST
Sound Editing: Hugo
Sound Mixing: Hugo


8:36pm CST
North by Northwest Peewee Herman lookalikes are bungee jumping around the Kodak Theater.


8:43pm CST
Best Documentary Feature: Undefeated


8:47pm CST
Best Animated Feature: Rango



8:53pm CST
Emma Stone is winning best dressed so far, in my humble opinion. Plus, she's hilarious.


A Chance to Own A Piece of Oscar History


The Oscars are tonight, and we at AFF are so proud to have a slew of 2011 AFF films like THE ARTIST, THE DESCENDANTS, ALBERT NOBBS, PUSS IN BOOTS, THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE, HELL AND BACK AGAIN, and RAJU represented at the Oscars. We can't wait to watch the ceremony on the 26th, and we've got our hands on some pretty exciting Oscar swag to make the event even more exciting!


Last week, we announced that everyone who has purchased a Producers Badge to the 2012 Austin Film Festival & Conference by Wednesday, February 29th will be entered for a chance to win a copy of the screenplay of THE GIRL WITH THE DRAGON TATTOO, signed by Academy Award®-winning writer Steven Zaillian!


Now, we're thrilled to announce we have not one but two copies of the screenplay of EXTREMELY LOUD & INCREDIBLY CLOSE, signed by Academy Award® winning screenwriter Eric Roth!
Roth has been nominated for four Oscars, winning in 1994 for FORREST GUMP. The 2011 film EXTREMELY LOUD & INCREDIBLY CLOSE, for which Roth wrote the adapted screenplay, is nominated for two Oscars.


Now you have three chances to win a signed Oscar nominated script and a piece of Oscar history. And to make the deal a little sweeter, everyone who has purchased a Badge by the end of February will be entered to win an upgrade to a Producers Badge! Your last chance to enter the contest is midnight, Wednesday, February 29th, so grab one before it's too late!


Tonight, make sure to check out the blog or follow us on twitter @austinfilmfest as AFF Marketing Director Taylor Cumbie live-blogs the Oscars!

Wednesday, February 22, 2012

Austin Film Festival's 2012 Film Poster Competition

The Austin Film Festival is excited to announce their first ever Film Poster Competition! AFF has chosen a series of five films from their 2012 year-round programming to feature the art of Austin's local artists. Interested designers can choose one of the films in the series and create an original film poster. AFF will choose one winner for each film, and a limited number of each winning poster will be displayed and sold at the screenings.

In addition, audience members and online voters will have a chance to vote on their favorite film poster in the series. The artist of the winning poster will receive a Producer's Badge to the 2012 Austin Film Festival & Conference ($695 value) and their poster on display at the Festival. This showcase is an invaluable opportunity to have your artwork seen by tens of thousands of people and viewed by an audience of filmmakers eager to find their next poster artist!

The Films:

The Silence of the Lambs
Ziggy Stardust and the Spiders from Mars
Party Down (TV Pilot)
The Iron Giant
The Black Stallion

To submit your film poster, please send a high-res PDF to taylor@austinfilmfestival.com by March 12th, 2012. Winners will be announced March 15th, 2012.

Questions?
Contact Taylor Cumbie
taylor@austinfilmfestival.com
512.478.4795