Showing posts with label screenplay competition. Show all posts
Showing posts with label screenplay competition. Show all posts

Tuesday, February 14, 2012

Kids Who Write Good

Proper grammer and speling is important for writers of all ages and levels if they want to be more better writers.  If you aspire to be a professional writer and didn’t notice the errors in the previous sentence, you’ve got a problem (or you better have a good copy editor).  This week’s blog entry is not so much a lesson in grammar and dusting off your copy of Strunk & White; it is more about the importance of proofing your work before turning it in to someone who can either make or break your script.

I gained some perspective on this topic when I was asked to help teach the basics of screenwriting to an English class at a local high school as part of our Young Filmmakers Program.  The students were required to write a short screenplay for us to review and narrow down to one script which the kids would later produce.  The goal for the program is not only to help improve the students’ writing skills but to also provide them a real world experience similar to that of a working screenwriter in the industry (of course on a much smaller scale, not as ruthless, and without illegal substances).  Many of the kids submitted brilliant stories that were unfortunately marred by distractingly bad grammar, punctuation, spelling, and not to mention poor use of present progressive.  What we asked the kids to think about was: “Would you feel confident submitting this script to a studio?”  We gave the kids another opportunity to proof and refine their scripts before making our final decision.  In the studio system or a screenplay competition, there are no second chances like this once you’ve submitted a script.
 
Even in this age of text messaging and auto-correct, this is something not unique to today’s youth but to amateur writers in general.  I’ve come across many scripts in the competition with great stories but with poor grammar and spelling.  This is not necessarily a deal breaker for a script to advance in our competition; the quality of the story and writing always come first but the last thing you want to do is annoy your reader.  Your words should flow easily for the reader as if they’re going to fly off the page.  There is such a thing as spell check but it’s always best to have a new set of eyes copy edit your work before submitting it somewhere.  So just like those kids in class, ask yourself, “Do I feel confident submitting this script to a studio?”

Bad grammar may or may not make or break your script but, in an industry where thousands of scripts are passed around, why not make yours the most polished it can be?  The last thing you want is for your first impression to be the last impression.  Even though some Hollywood producers may still act like they’re in high school, it doesn’t mean you have to.

--Matt Dy, Screenplay & Teleplay Competition Director

Monday, July 07, 2008

Screenplay Competition Notification Dates


First Round and Second Round notification letters will be sent out by August 29.

Semifinalists will be contacted by phone by August 29.

Finalists will be notified by phone by September 19.

Winners will be announced October 18, 2008 at the Awards Luncheon during the Austin Film Festival.

Thursday, May 22, 2008

Teleplay Success Story - Scott Richter

Scott Richter // 2007 Teleplay Winner // Success Story
May 8, 2008

LA-based Scott Richter has had a year of ups (winning the Teleplay Competition) and downs (WGA Writer's Strike). I recently had the opportunity to connect with him and learn more about what lies ahead for this talented writer on the verge of some very big advancements.

Q. How did you hear about the Austin Film Festival Teleplay Competition?


A. Through friends. I had not submitted work before, but decided to enter two scripts. One advanced me to become a second-rounder (Boston Legal - "Don't Call Me Constance") and landed me my first agent. The other (Grey's Anatomy – "Reality Bites") ended up winning the competition!

Q. What was it like attending AFF's Awards Luncheon?

A. The experience overall was fantastic. Obviously, winning was a great thrill. Being at the luncheon with Oliver Stone, Glenn Gordon Caron, John Milius and many other industry professionals was one of the highlights of my life.


Q. Were you involved in the Pitch Competition that is also going on during the Conference?

A. Yes, I was also a finalist in the pitch competition, having made it into the top five. The pitch that I did was for a law school "dramedy" TV pilot, which went over well and everyone liked. It turns out Terry Rossio was a judge in that round. He really loved it. His assistant came up afterwards and said Terry was interested in reading the script and having me talk to him more about it. Right now it's a teleplay so they thought about rewriting it into film script. We couldn't talk because of writer's strike and I began working on other pilots, but we are keeping in touch.

Q. How has winning the competition helped your network?

A. Even though it was bad timing because of strike, I made some great contacts. The fact that I won Austin was very helpful to getting my foot in the door and meeting with agents after the strike. For example, Channing Dungey, an executive for ABC, was at the Awards Lunechon and came up to congratulate me afterwards. I told her I was having a meeting with Greg Berlanti (Dirty Sexy Money, Eli Stone, Brothers & Sisters). She wanted me to call her after I met with Greg to go out for coffee. So I've been in touch with her. That was great. When I finally did get to meet Greg, he was interested in reading my script that won Austin and my two new original pilots.

Another person I met was Will Bigham ("On the Lot" winner). We met in Austin and he told me he had a first-look TV deal at Dreamworks Television. We had lunch when we both got back in LA and he was interested in a couple original pilots I had written. One which was a supernatural small town drama and the other a procedural drama. He was interested in both and thought the procedural drama was a good fit for Dreamworks. It is currently being pitched.


Q. What projects are you currently working on and what advice do you have to other writers?

A. Right now I'm collaborating with someone to write a screenplay and I'm very excited about it. The advice I have to give is simple - Network. Network. Network.

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SUBMIT TO THE 2008 SCRIPT/TELEPLAY COMPETITION!
Entry Form & Details Here
Questions? 1-800-310-FEST - Ask for Alex

Monday, April 07, 2008

AFF @15: Screenplay Alumni Stories

I recently had a chance to correspond with 2003 TV Drama Winner Stephen Scaia. Here is what he had to say:

I'm glad you got in touch with me...when people ask what the turning point was for me as a young writer I always tell them it was winning at the AFF. It's what opened the door for us, and we've been moving on-ward and upward ever since.

My writing partner, Matthew Federman, and I signed with agents shortly after our trip to the AFF in '03. We went almost right after. Our first writing job was on CBS' "Judging Amy." While there, we sold an original pilot to FOX about treasure hunters. After developing that, we joined the staff of NBC's "E-Ring" until its cancellation. Our biggest break came when we were hired onto the little post-apocalyptic action-show that could, "Jericho." We were there for its entire two-season run...from pilot, through cancellation, resurrection and its now unclear fate. We rose through the ranks and emerged from the show as Producers. Now, we're working on the job of a lifetime.

Yes, life is good. We're eternally thankful to the AFF and the springboard it gave us...it made us respected when we were lowly PA's. It made us legitimate in the eyes of the biggest agencies in town. It made possible everything else we've done. I am in your debt. I loved the Festival, love Austin, and would love to be involved.

--Stephen Scaia (Stephen and his writing partner Matthew Federman won the 2003 TV Drama Competition for their script The West Wing: The Second Law of Thermodynamics)

For more AFF Success Stories check out: http://www.austinfilmfestival.com/new/success_stories